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Tannhäuser edit
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Medieval German depiction of Tannhäuser, from the Codex Manesse

Tannhäuser (Middle High German: Tanhûser; died after 1265) was a German Minnesänger and poet. He is not attested historically outside of his poetry, which is dated to between 1245 and 1265. His biography is consequently obscure. It is assumed that there is a connection to the old noble family of the Lords of Thannhausen, who are still residing in their castle in Tannhausen, near Ellwangen and Dinkelsbühl. There is a historical Tannhausen castle near Neumarkt in der Oberpfalz. He was active at the court of Frederick II of Austria, and the Codex Manesse depicts him in the habit of the Teutonic Order, which suggests he might have participated in the Fifth Crusade.

Tannhäuser's poems are parodies of the traditional genre. His Bußlied (poem on atonement) is unusual with regard to the erotic theme of the remaining content of the Codex Manesse. Tannhäuser was a proponent of the leich (lai) style of poetry.

Contents

In legend

In the Venusberg by John Collier, 1901: a gilded setting that is distinctly Italian quattrocento

Based on his Bußlied, Tannhäuser became the subject of legend, first attested in 1430, propagated in ballads from 1450. The legendary account makes Tannhäuser a knight and poet who found the Venusberg, the subterranean home of Venus, and spent a year there worshipping the goddess. After leaving the Venusberg, Tannhäuser is filled with remorse, and travels to Rome to ask Pope Urban IV if it is possible to be absolved of his sins. Urban replies that forgiveness is as impossible as it would be for his papal staff to blossom. Three days after Tannhäuser's departure Urban's staff blooms with flowers; messengers are sent to retrieve the knight, but he has already returned to Venusberg, never to be seen again.

The legend has been interpreted as a tradtional folk tale which has been subject to Christianization were the familiar story of the seduction of a human being by an elf or fairy leads to the delights of the fairy-realm but later the longing for his earthly home. His desire is granted, but he is not happy, and in the end returns to the fairy-land.1

The legend was made famous in modern times through Richard Wagner's three act opera Tannhäuser in 1845. Aubrey Beardsley started to write an erotic treatment of the legend which was never to be finished due to his illness; the first parts of it were published in The Savoy and later published in book form by Leonard Smithers under the title Under the Hill. The novel was never completed, but in 1907 the manuscript was published under the title The Story of Venus and Tannhäuser.

Other references

Several works of science fiction mention a fictional Tannhauser Gate, first mentioned briefly in the film Blade Runner by the character Roy Batty, played by Rutger Hauer. Hauer himself wrote the monologue in which the "Tannhauser Gate" is noted. Aleister Crowley wrote his own play called Tannhauser which follows the character Tannhauser and the infamous Venus. The anime Mobile Suit Gundam SEED Destiny features a positron beam weapon as one of the main armaments of the ZAFT battleship Minerva, called a "Tannhäuser". Tannhäuser is a French board wargame set in 1949 in an alternate timeline. The author Philip José Farmer references Tannhäuser and Venusberg in the 1967 science fiction novella Riders of the Purple Wage. "Tannhauser Gate" is a song on the album One Day Son This Will All Be Yours by the British band Fightstar. The Swedish hardcore band Refused included a song titled "Tannhauser/Derive" on their 1998 album The Shape Of Punk To Come. Also the German rock band In Extremo recorded a song called "Tannhuser" for their album Mein rasend Herz.

Notes

  1. ^ "Tannhauser", Catholic Encyclopedia 1911 edition, "Literary or Profane Legends"

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